Time set aside to share my thoughts and feelings. Some information here is sexual and explicit in its intention so not suitable for children. I have copied some art from other places on the internet. No infringement of privacy or theft is intended. I will remove anything immediately if required.
Sunday, 17 July 2011
Chasing nothings
My friend pointed out that his series of 50 black and white images were very similar to some of what I call my doodles. I was flattered. And laughed.
I have to go and get ready. I have been procrastinating since 6:30 this morning. Such an early waking after such a late sleeping. I am not sleeping well. So much goes through my mind. Too much goes through my mind. I think I have noticed a slight lift in my mood these last few days. I may even have been a little manic on Thursday which of course I love. After experiencing the wonder of the UCL buildings and stimulated visually again yesterday, I think that lifts my mood immensely but I think there is no ceiling to it. I get higher and higher. I love it of course. I was ready to start sketching today b ut have to damn well go out. Oh well.
I realise it takes great great courage to add to a sketch my own symbolism or interpretations of feelings. It's off the beaten track. Oddly though people have preferred the less usual things I have sketched. Interesting. Maybe it shows a creativity from within that a staright forward sketch copy doesn't reveal. Is that how it is for me when I look at art like that. When I look at the wonder of Vermeer and the detail and the eactness, but the depth and the inside view - it goes deeper and is layered and gives me a sense of him not the painting itself. And similarly, Miro's earlier work did something similar. Whilst I wondered in pleasure at some of the later work, there was less of a sense of him I think apart from the prolificacy I sense. Almost as if painting was like turning page after page of a book, racing towards the end to know the outcome. An urgency?
And this I can relate to the mad pursuance. In search of something that perhaps isn;t there and is here all along. As I was looing at his works, I wanted to have one. To own something he had created. Not a copy but an original just to feel that energy. I get this feeling for so many things and then settle for a copy of second best and it becomes just another thing I have spent money on and now own amongst other things I own. However, I have started putting art on my walls. Copied of course and some orginals from friends. And I can look at it and appreciate the work. I wanted every book I opened, I wanted every copy I saw. I bought one copy - the farm at Mont-Roig. A very early piece of work. I loved the original. I feel very honoured to have seen it. I love the Vermeers that JH bought for me. I adored the original - breathless when I stood and embraced it with my eyes.
I appreciate the pieces of work my friends have given me.
But actually I need none - I have experienced the real thing and somewhere in the electricity wtihin my brain it will reside. If I forget then it is of no consequence, I have experienced and there is always room for experience. I am glad I did not purchase all that I wanted there on the spot.
I am off tog et ready - bath, drive, walk then lunch. I don;t need any more food for a week I think!!
Bliss
XX
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